| PublishedWorks | Publications: Forty Drawings, 1946; Le Nouveau Ballet Anglais, 1947; Hurrah for St Trinian's!, 1948; The Female Approach, 1949; Back to the Slaughterhouse, 1951; John Gilpin, 1952; Souls in Torment, 1953; Rake's Progress, 1955; Merry England, etc, 1956; A Christmas Carol, 1961; Which Way Did He Go?, 1961; Searle in the Sixties, 1964; From Frozen North to Filthy Lucre, 1964; Pardong M'sieur, 1965; Searle's Cats, 1967; The Square Egg, 1968; Take one Toad, 1968; Baron Munchausen, 1960; Hello-where did all the people go?, 1969; Hommage à Toulouse-Lautrec, 1969; Secret Sketchbook, 1970; The Addict, 1971; More Cats, 1975; Drawings from Gilbert and Sullivan, 1975; The Zoodiac, 1977; Ronald Searle (Monograph), 1978; The King of Beasts, 1980; The Big Fat Cat Book, 1982; Illustrated Winespeak, 1983; Ronald Searle in Perspective (monograph), 1984; Ronald Searle's Golden Oldies 1941-61, 1985; To the Kwai-and Back, 1986; Something in the Cellar, 1986; Ah Yes, I Remember It Well ..., 1987; Ronald Searle's Non-Sexist Dictionary, 1988; Slightly Foxed-but still desirable, 1989; Carnet de Croquis: le plaisir du trait, 1992; The Curse of St Trinian's, 1993; Marquis de Sade meets Goody Two-Shoes, 1994; Ronald Searle dans Le Monde, 1998; in collaboration: (with D. B. Wyndham Lewis) The Terror of St Trinian's, 1952; (with Geoffrey Willans) Down with Skool, 1953; How to be Topp, 1954; Whizz for Atomms, 1956; The Compleet Molesworth, 1958; The Dog's Ear Book, 1958; Back in the Jug Agane, 1959; (with Kaye Webb) Paris Sketchbook, 1950 and 1957; Looking at London, 1953; The St Trinian's Story, 1959; Refugees 1960, 1960; (with Alex Atkinson) The Big City, 1958; USA for Beginners, 1959; Russia for Beginners, 1960; Escape from the Amazon!, 1964; (with A. Andrews & B. Richardson) Those Magnificent Men in their Flying Machines, 1965; (with Heinz Huber) Haven't We Met Before Somewhere?, 1966; (with Kildare Dobbs) The Great Fur Opera, 1970; (with Irwin Shaw) Paris! Paris!, 1977; (with Sarah Kortum) The Hatless Man, 1995; (with Simon Rae) The Face of War, 1999; Le theâtre à Paris (1954-1962), 2000; (with Monica Searle) Searle & Searle, 2001.
One Man Exhibitions include: Leicester Galls, 1948, 1950, 1954, 1957; New York, 1959, 1963, 1969, 1976; Galerie La Pochade, Paris, 1966, 1967, 1968, 1969, 1971; Galerie Gurlitt, Munich, 1967, 1968, 1969, 1970, 1971, 1973, 1976; Grosvenor Gall., London, 1968; Bibliothèque Nat., Paris, 1973; Galerie Carmen Casse, Paris, 1975, 1976, 1977; Staatliche Mus., Berlin, 1976; Rizzoli Gall., NY, Gal. Bartsch & Chariau, Munich, 1981; Cooper-Hewitt Museum, NY, 1984; Neue Galerie Wien, 1985, 1988; Imperial War Museum, BM, 1986; Fitzwilliam Museum, Cambridge, 1987; Mus. of Fine Arts, San Francisco, 1987-88; Heineman Galls, NY, 1994; Wilhelm-Busch Mus., Hanover, 1996, (with Monica Searle), 2001; Galerie Martine Gossieaux, Paris, 2000.
Works in permanent collections: V&A, BM, Imperial War Museum, Tate Gall.; Bibliothèque Nat., Paris; Wilhelm-Busch Museum, Hanover; Staatlische Mus., Berlin; Cooper-Hewitt Museum, NY; Univ. of Texas, Austin; Mus. of Fine Arts, San Francisco.
Films based on the characters of St Trinian's: The Belles of St Trinian's, 1954; Blue Murder at St Trinian's, 1957; The Pure Hell of St Trinian's, 1960; The Great St Trinian's Train Robbery, 1966; The Wildcats of St Trinian's, 1980.
Films designed: John Gilpin, 1951; On the Twelfth Day, 1954 (Acad. Award Nomination); Energetically Yours (USA), 1957; Germany, 1960 (for Suddeutschen RTV); The King's Breakfast, 1962; Those Magnificent Men in their Flying Machines (Animation Sequence), 1965; Monte Carlo or Bust (Animation Sequence), 1969; Scrooge (Animation Sequence), 1970; Dick Deadeye, 1975. |